I’m from East Texas, which is closer in culture and climate to the South than the Southwest. The southern voice in American literature has given us countless classics, specifically when it comes to dealing with our very dark, very human nature. Violence, racism, religion, and redemption are all explored under the Southern Gothic umbrella. My own upbringing exposed me to much of the darkness that still exists in these shadowed pockets of the country. I want to illuminate some of those places, and each of these books serves as a massive spotlight.
Though my own work will never come close to equaling its wonder, this is the novel that taught me the most about the actual craft of writing. Before he redefined the western, Cormac McCarthy was a master of Southern Gothic storytelling, and Suttree was his crowning achievement. Perhaps only Blood Meridian does more in the McCarthy canon as far as elevated imagery, but Suttree accomplishes its beauty without the benefit of the sprawling southwestern landscape. Rather, McCarthy’s Knoxville becomes like Joyce’s Dublin, and he paints it in such vivid dereliction, there can be no mistaking Suttree is the novel by which all other southern works ought to compare themselves. Bonus points for somehow making watermelon fornication into a literary act.
Suttree is a compelling, semi-autobiographical novel by Cormac McCarthy, which has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.
Gay was a McCarthy disciple and Provinces of Night is his greatest work. Though he often mimics McCarthy (and in my opinion came closer to McCarthy than anyone else), he finds a desperate, haunting voice that is all his own. Provinces of Night (the title taken from a line in McCarthy’s Child of God) does a remarkable job of storytelling with multiple characters leading the narrative. Bonus points for this quote: “Life blindsides you so hard you can taste the bright copper blood in your mouth then it beguiles you with a gift of profound and appalling beauty.”
The year is 1952, and E.F. Bloodworth has returned to his home - a forgotten corner of Tennessee - after twenty years of roaming. The wife he walked out on has withered and faded. His three sons are grown and angry. Warren is a womanising alcoholic; Boyd is driven by jealousy to hunt down his wife's lover; and Brady puts hexes on his enemies from his mother's porch. Only Fleming, the old man's grandson, treats him with respect and sees past all the hatred, realising the way it can poison a man's soul. It is ultimately the love of Raven…
A classic, and perhaps too much so. Many scholars of Faulkner believe there are other, greater titles in his career that should stand as his seminal work. However, this is the first of his novels that I read, and so perhaps had the advantage when it came to leaving an impression. Again, the multi-faceted storytelling is most impressive, as are the not-so-subtle themes of death and religion. Bonus points for the shortest chapter in literary history: My mother is a fish.
The death and burial of Addie Bundren is told by members of her family, as they cart the coffin to Jefferson, Mississippi, to bury her among her people. And as the intense desires, fears and rivalries of the family are revealed in the vernacular of the Deep South, Faulkner presents a portrait of extraordinary power - as epic as the Old Testament, as American as Huckleberry Finn.
Wolfe is, in my opinion, a writer’s writer. His passion for life and for the written word are evident in the way he seemingly attacks each page. Some have called his writing “exhausting,” and it may very well be—but no doubt because the writer himself was exhausted by the time he was finished. Look Homeward, Angel is one of the great American novels and its theme of growing up and coming of age and leaving home is as universal as it is timeless. Bonus points for the inspired paragraphs in which Wolfe depicts every smell Eugene Gant is exposed to from the time he is a toddler to the time he begins school.
The spectacular, history-making first novel about a young man’s coming of age by literary legend Thomas Wolfe, first published in 1929 and long considered a classic of twentieth century literature.
A legendary author on par with William Faulkner and Flannery O’Connor, Thomas Wolfe published Look Homeward, Angel, his first novel, about a young man’s burning desire to leave his small town and tumultuous family in search of a better life, in 1929. It gave the world proof of his genius and launched a powerful legacy.
The novel follows the trajectory of Eugene Gant, a brilliant and restless young man whose…
I don’t read many current authors. It’s not their fault I’m a slow reader and have so many older novels to work through. But there are exceptions and David Joy is certainly one of those. I’d recommend starting at his beginning with Where All Light Tends to Go. His voice helped (and is still helping) usher in a new generation of southern authors. Joy, unlike the other authors on this list, tends to lean toward spare prose, which creates a bingeable quality to his work. Bonus points for a perfect ending.
A Finalist for the Edgar Award for Best First Novel
“Remarkable . . . This isn’t your ordinary coming-of-age novel, but with his bone-cutting insights into these men and the region that bred them, Joy makes it an extraordinarily intimate experience.”—Marilyn Stasio, The New York Times Book Review
"Lyrical, propulsive, dark and compelling. Joy knows well the grit and gravel of his world, the soul and blemishes of the place."--Daniel Woodrell
In the country-noir tradition of Winter's Bone meets 'Breaking Bad,' a savage and beautiful story of a young man seeking redemption.
The area surrounding Cashiers, North Carolina, is home…
Attempting to escape his abusive father and generations of cyclical poverty, young Jonah Hargrove joins the mysterious River -- a teenage girl carrying thousands of dollars in stolen meth -- and embarks on a southern gothic odyssey through the East Texas river bottoms. They are pursued by local drug kingpin, John Curtis, and his murderous enforcer, Dakota Cade, with whom River was romantically involved. But Cade and Curtis have their own enemies, as their relationship with the cartel controlling their meth supply begins to sour.
With a colorful cast of supporting characters and an unflinching violence juxtaposed against lyrical prose, River, Sing Out dives deep into a sinister and sanguinary world, where oppressive poverty is pitted against the hope of something greater.
Every picture tells a story, but it’s not always the one we expect or remember. Christmas Actually is a festive drama about family and forgiveness and a snapshot of modern family life, addressing Instagram to motherhood and everything in between.
Why Christmas? My publisher wanted my new novel to have a festive theme, specifically set in Australia–sun, surf, sunburn, and prawns. Christmas in Australia is very different from Christmas in the UK, USA, and Canada. We typically wear shorts and t-shirts, eat salad and seafood for Christmas lunch, and play beach cricket in the afternoon. Despite the season, conflicts, secrets,…
Time spent with family can be challenging, especially at Christmas actually…
Kate Cavendish is stuck in a rut. That is until a former colleague contacts her and offers her a chance to fulfil her lifelong dream of becoming a successful photographer.
With her focus pulled in all directions by her children, her pregnant sister, her newly-dating mother, and the niggling worry that her husband might be having an affair, Kate is filled with self-doubt.
Then as the countdown to Christmas begins, and memories of her own childhood resurface, Kate’s anxiety deepens – both personally and professionally. Can she move on…
